Air-Minded: Bitchin’ Betty (Updated 4/25/19)

Update (Apr 25, 2019): This post originally included an embedded clip of F-16 aural warnings. The clip has been removed from YouTube. I replaced it this morning with a clip of Eurofighter Typhoon aural warnings.

Update (Feb 5, 2018): My collaboration with Joe Coles, publisher of the excellent Hush-Kit aviation blog, continues with his reprint of my article on aircraft aural warning systems, collectively referred to as “Bitchin’ Betty” by military pilots. Naturally Joe did some editing. You can click on the image below to see his version of my original post:

Screen Shot 2018-02-05 at 8.44.42 PM

In reformatting my original article, adding new images, and moving older images from my original article around, some of the links I’d embedding in the original may no longer be where readers would expect to find them, so I decided to re-run my original Bitchin’ Betty article here on Paul’s Thing, and move it back up to the top of the blog.

Here’s the original, first posted here in March 2016:

With the recent retirement of Boeing employee Leslie Shook, there have been a number of media reports about military aircraft aural cockpit warning systems. Leslie Shook was the voice behind the aural warning system in the F/A-18 Hornet fighter aircraft; Hornet crews affectionately call her “Bitchin’ Betty.”

Why is this newsworthy? I think it’s because the media seek any excuse to repeat mild profanities like “bitchin’.” Notice, though, that the NPR report I linked to above bleeps out the offending word. One TV news reporter I watched got such a case of the tee-hees she almost couldn’t go on, and another TV talking head actually said the words “Witchin’ Wetty” while making air quotes.

joan elmsThis is not Leslie Shook. It’s actress and singer Joan Elms, the first Bitchin’ Betty, though they didn’t call her that then: in the 1960s she was known to supersonic B-58 Hustler flight crews as “Sexy Sally.” Joan’s taped voice alerted Hustler crews to critical information and emergencies demanding immediate action: her warnings included phrases such as “weapon unlocked,” “hydraulic system failure,” “check for engine fire,” “nose too high.”

Wikipedia names Kim Crow as the first woman to provide digitized cockpit voice warnings to military aircrews. That’s true, but it’s a truth hinging on the word “digitized.” Joan Elms was of the pre-digital age, recording her warnings on old-fashioned magnetic tape. To my knowledge, the B-58 Hustler was the first military aircraft to employ aural cockpit voice warnings, and Joan Elm’s was the voice behind them.

The digitized voice of Kim Crow was my Bitchin’ Betty, the aural warning system in the F-15 Eagle. When I first flew the Eagle in 1978, Bitchin’ Betty said only a few things: “warning,” “engine fire,” “overheat.” Additional voice warnings were added over the years, and by the mid-1990s Bitchin’ Betty could recite an extensive litany of cautions and warnings. I can’t find an audio clip of my Bitchin’ Betty, but here’s a YouTube recording of Eurofighter Typhoon voice warnings (Eurofighter Jagdflugzeug GmbH uses the voice of Sue Milne, called “Nagging Nora” by the British, German, Italian, and Spanish pilots who fly the Typhoon).

When Sexy Sally started warning B-58 Hustler crews about engine fires in the 1960s, it was a major innovation, and using a woman’s voice was considered a brilliant stroke: human factors researchers thought a woman’s voice—rarely heard on the radio and never on the intercom—would cut through other chatter and get the crews’ attention. This belief prevailed in my day as well, probably because flying military fighters was still a male-only occupation.

I always had doubts about that, though. For one thing, by my time many FAA and military radar controllers, both on the ground and in the air, were women. Women flew the tankers we refueled from and the C-5s ahead of us on final, forcing us to go around to avoid wake turbulence. You heard their voices all the time; there was no longer any novelty to it. For another thing, there were times Bitchin’ Betty spoke right into my earphones and I didn’t hear her, especially in the heat of an engagement or dogfight. I didn’t know she’d spoken until I reviewed my own cockpit videotape during debrief. The times I did hear her, I’d already seen the master caution light, felt the unusual thump, or heard the strange noise that always seems to accompany a mechanical failure.

Today, I understand, some commercial and military aircraft manufacturers use male voices for aural warning systems. They probably work just as well, and I’m sure the aircrews have colorful nicknames for them as well.

Is Bitchin’ Betty any kind of big deal today? Military aircraft, ships, tanks, and for all I know trucks have had Bitchin’ Betties for decades. So have commercial airliners, and I hear some general aviation aircraft as well. Ground-pounding civilians too are used to aural warning and guidance systems, witness Siri and automotive GPS. If you tell me civilian voice systems leave military voice systems in the dust, I will not be surprised. Heck, I can select Morgan Freeman’s voice on my Garmin when I get tired of listening to Arnold Schwarzenegger, and I don’t think you can do that in any military jet, not even the F-35!

© 2019, Paul Woodford. All rights reserved.


3 thoughts on “Air-Minded: Bitchin’ Betty (Updated 4/25/19)

  • Good one, SW! Some readers here may not recognize this as the start of a Hash House Harriers drinking song. The whole thing, at least as I learned it, is sung to the Looney Tunes melody, and goes like this:

    Thank god she finally shut up,
    She’s always fuckin’ bitchin’,
    Now drink your beer,
    Get out of here,
    Get back into the kitchen!

  • You should contact Air & Space Smithsonian to turn this into an article for them. They love these kinds of stories!

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